Current

Hans-Christian Schink | Hinterland

Bei Groß Briesen (2012), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
Bei Groß Briesen (2012), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
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Am Breiten Luzin (2012), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
Am Breiten Luzin (2012), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
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Bei Woldegk (2016), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
Bei Woldegk (2016), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
3/6
Bei Kublank (2016), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
Bei Kublank (2016), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
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Beseritz (2017), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
Beseritz (2017), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
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Klein Luckow (2018), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
Klein Luckow (2018), 35 x 40 cm, C-Print, Ed. of 8 + 2 AP
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Hans-Christian Schink, born in Erfurt in 1961, studied at the Academy of Visual Arts in Leipzig. He is considered one of the most important representatives of contemporary photography in Germany. His works, mostly landscape studies in the field of tension between nature and civilization, are exhibited internationally and can be found in important public and private collections. With “Hinterland” the gallery presents Schink’s latest body of work.

“Hinterland means the sparsely populated areas off the big cities, in this series especially the remote regions of Brandenburg and Mecklenburg-Vorpommern,” explains Hans-Christian Schink. “On the other hand, the title Hinterland also refers to the imaginary landscapes that emerge from my memory. Landscapes that I know from my childhood.” And he goes on: “So this series is not about portraying concrete places. My pictures are more the result of a search without a destination.” In his project, Hans-Christian Schink tries to keep a balance of showing the brittle beauty of this form of landscape whilst transporting an atmosphere of melancholy, which stems from the endangerment of this landscape caused by the permanent exploitation of its resources.

Upcoming

Tobias Kruse | Material

Material #056, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #056, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
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Material #035, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #035, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
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Material #004, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #004, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
3/7
Material #008, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #008, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
4/7
Material #101, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #101, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
5/7
Material #082, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #082, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
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Material #083, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
Material #083, 90 x 120 cm (also available in 40 x 60 cm & 16 x 24 cm), Archival Pigment Print
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“Material” was published at Kerber Verlag November 2018. The series includes narratives, notes and observations from the past ten years, in which Tobias Kruse has produced images that translate a mood, a sense of life into an authentic visual language. “In recent years, Tobias Kruse has captured the unspeakable moments of life: the shape of an object, the certainty of impending injuries, the birth of children and happiness on their skin,” wrote Laura Benz on the occasion of the book’s publication. “Many call the work a diary, but of course that’s not what it is”, says Tobias Kruse. “It’s miniatures, a condensate.”

Tobias Kruse was born in 1979 in Mecklenburg. He studied photography with Prof. Ute Mahler at the Ostkreuzschule für Fotografie and attended the masterclass of Prof. Arno Fischer. Since 2011 he is a member of the agency OSTKREUZ. Since 2017 he teaches at the Ostkreuz School of Photography. His works are exhibited and published internationally. Tobias Kruse lives and works in Berlin.

Robert Voit The Alphabet of New Plants

Archive Berlin 2016 - 2010

Orri Interiors
jedentag Fotografische Alltagsbeobachtungen von Andy Sewell, Peter Puklus und Peter de Ru
SCHWARZWEISS Zeitgenössische Positionen in der Schwarz-Weiß-Fotografie
2007
Okko Oinonen On Top of The Iceberg. Intellectual Exiles
fotoform Deutsche Fotografie der 50er Jahre
Enver Hirsch Menschen Tiere Sensationen
2006
Andy Scholz Fotografie 2002-2006
Wolf Böwig Fotoarbeiten 1995-2005
2004
Michael Melcer Milch and Hering Jewish Food Shops in New York

Archive Hamburg 2016 - 2004

Past